Description
Black & White Square VFX Tracking Markers
High-contrast square tracking markers for matchmoving, 3D camera tracking and compositing. The matte black-and-white pattern gives your tracker a crisp, asymmetric centre to lock onto frame after frame, with no glare under set or LED-volume lighting.
Why crews choose them
- Matte, non-reflective finish – avoids specular hot spots that confuse a solve.
- Asymmetric high-contrast design – unambiguous centres for faster, more stable tracks.
- Removable adhesive – clean release from most smooth surfaces (test delicate materials first).
- Built for practical sets – maximum contrast against mixed real-world surfaces.
Shooting on a coloured screen? Use our blue markers for green-screen stages or green markers for blue-screen stages. See the product gallery for the sheet layout and marker sizes.
Frequently Asked Questions
What are VFX tracking markers used for?
VFX tracking markers are high-contrast reference points placed in a scene so matchmoving and 3D camera-tracking software can calculate camera motion. They give the tracker fixed, identifiable points to follow, which produces a stable solve for compositing, set extensions and CG integration.
Should I choose black & white, blue, or green markers?
Pick the colour that contrasts most with your background. Black & white markers are the all-round choice for practical, real-world sets. Blue markers work best on green-screen stages, where blue stays separated from the green key. Green markers suit blue-screen stages and darker environments.
Are the markers matte or glossy?
They use a matte, non-reflective finish. A flat finish avoids specular highlights and glare under set lighting and LED volumes, which keeps each marker centre clean and unambiguous for a more accurate track.
Are the tracking markers removable?
Yes. They use a removable adhesive that releases cleanly from most smooth surfaces. As with any adhesive, test on delicate or porous surfaces first.
Can I use them in an LED volume?
Yes. The matte finish reduces reflections from LED walls, so the markers stay readable for the tracking solve on virtual-production stages.
How many markers should I place in a shot?
Distribute enough markers across the frame and across depth – foreground, mid-ground and background – so the tracker always has well-spread points to follow as the camera moves. Add more coverage on featureless surfaces for a more stable solve.



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